Note from Story Chip: It has been pretty
quiet here for a while, but the reason is quite exciting as Story
Chip prepares to launch a new addition to the web. This post will
tease our expansion, but keep the details for later.
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| Sallie Chisum Roberts |
Stories arrive in many forms.
Graphics,
music
as well as the words that are most frequently the subject of this
blog. The city of
Artesia
in southeastern New Mexico spent a decade and millions of dollars to
remind us that sculpture and three dimensional representations can
tell some powerful stories with very little help. Main Street
features a series of bronze sculptures that tell the story of
Artesia's founding and development from Sallie Chisum to men who work
the oil rigs of the Permian Basin.
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| Sallie and friends |
Sallie Chisum did not really start the
town that is now known as Artesia, but her influence on the town's
growth traces to before her selection as the first postmistress. Her former home, one block from Chisum Avenue, was added to
the National Register of Historic Places and is about ten blocks from
her statue on Main Street. The statue captures the “First Lady of
Artesia” in a moment sharing a book with children.
Artesia's
sculpture
is the work of
RobertSommers, who also did the Roswell, New Mexico sculpture of
Sallie's more famous uncle,
JohnChisum (yes, the John Wayne film). The Chisum family played a
minor role in the Lincoln County War of 1878 that led to the fame of
Billy the Kid. Sallie Chisum's diaries mention a friendship with “the
Kid” that became a part of the plot for the film. With all of that
said, you are free to research all the stories and add your version of Sallie and Billy.
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| "Derrick Floor" Artesia, NM |
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| Roustabouts in Artesia, NM |
Lore in Artesia says that Sallie found the first artesian well in the area and used money and influence from her famous uncle to begin her own ranch. Good water wells became a draw until the population and farming found the limit of the wells ability to support a growing town. The story of Artesia might have ended there if it were not located on the edge of the oil field of the Permian Basin. Instead of drilling for water, the town turned to drilling for oil. Another story that is told by a large sculpture right on main street.
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| Martin and Mary Yates |
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| Mack Chase and Johnny Gray |
The oil rig sculpture should be
described as three separate piece that tell the story of oil
exploration in New Mexico. The “Derrick Floor” shows the men who
labored on the drilling rigs and is surrounded by sculptures of Van
Welch, Mary and Martin Yates, and Mack Chase and Johnny Gray
talking while leaning on
the hood of a truck. Artesia has captured many of the people who were
instrumental in establishing the city and its industry.
The
last three sculptures are closer to the pulp fiction of another era.
The first shows a cowboy firing a warning shot that a rustler has set
his sights on a cow. The second shows the trail boss responding to
the warning with a drawn rifle and a spurred horse. The last
sculpture, a block away from the others, shows the rustler hunkering
down preparing for the coming gunfight. Each of these artworks tell their own story about cowboys, but viewed together they form the basis for dozens of western movies churned out by Hollywood while John Wayne was in his prime.
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| Vaquero firing warning shot |
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| Trail boss responds to the threat |
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| Rustler getting ready to fight for his life |
One
last link, again from a visit to New Mexico, is the story of LaLlorona in print, graphics and sculpture. Story telling in many
forms, but still our culture being shared.
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